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- CRITICS' VOICES, Page 14
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- BOOKS
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- KING EDWARD VIII by Philip Ziegler (Knopf; $24.95). The
- great crown-for-love scandal gets a decidedly unromantic
- treatment in this diplomatic but by no means flattering
- portrait of the moonstruck Duke of Windsor, the man who gave
- up his throne for a career as the husband of American-born
- Wallis Simpson.
-
- A DANGEROUS WOMAN by Mary McGarry Morris (Viking; $19.95).
- This searching novel about a woman who is one of life's losers
- creates a character who is crazy enough to be interesting and
- sane enough to describe her own incompetence.
-
- I AM A TEACHER: A TRIBUTE TO AMERICA'S TEACHERS by David
- Marshall Marquis and Robin Sachs (Simon & Schuster; $29.95).
- In this chronicle of the nation's best teachers, 78 classroom
- veterans speak thoughtfully, sometimes passionately, of their
- profession's rewards and sorrows; accompanied by Sachs'
- evocative photographs.
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- TELEVISION
-
- LUCY & DESI: BEFORE THE LAUGHTER (CBS, Feb. 10, 9 p.m. EST).
- Frances Fisher and Maurice Benard, winners of CBS's
- anyone-can-star contest, play the former First Couple of Comedy
- in a TV movie about their "loving but stormy" marriage.
-
- KISSES (TNT, Feb. 11, 8 p.m. EST). Ted Turner keeps finding
- new ways to mine his extensive movie collection: Lauren Bacall
- is the host of this lighthearted documentary on the history of
- the movie kiss.
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- MUSIC
-
- PAUL MCCARTNEY: TRIPPING THE LIVE FANTASTIC (Capitol). Could
- McCartney's 1990 world tour have been as good as this larky,
- occasionally inspired live set makes it sound? Missed it? Check
- out these two CDs, and let some older memories kick in.
-
- THE TRASH CAN SINATRAS: CAKE (Go! Discs Ltd./London). Nice
- name, guys. But you already knew that. Actually, these five
- English lads lay down an excellent brand of pub pop: simple,
- insinuating melodies, lyrics with propulsive good humor. Has
- the guy from Hoboken heard you yet?
-
- SCHONBERG: CHORUS MUSIC (Sony Classical). Arnold Schonberg's
- reputation for atonality, serialism and 12-tone composition
- has created widespread resistance to his work, some of which
- is indeed forbidding. But if converts to his remarkably
- disparate choral music are to be won, these authoritative
- Pierre Boulez-led performances ought to do the job.
-
- THEATER
-
- LOST IN YONKERS. Neil Simon elevated himself from jokester
- to artist in an autobiographical trilogy during the mid-1980s.
- He returns to themes from his youth in his 26th Broadway-bound
- play, now at Washington's National Theater.
-
- TRU. Robert Morse brings back to life the author, wit, bon
- vivant, self-pitier and true enchanter that was Truman Capote
- in this Tony-winning one-man performance, now on national tour,
- in Los Angeles through March 10.
-
- GRAND HOTEL. The main reason to see this show on Broadway
- was Tommy Tune's sinuous staging, superbly fitted to its space.
- On tour, this week in Cleveland, it looks at once distant and
- squashed. The only compelling performance is by Brent Barrett
- as a doomed, down-on-his-luck aristocrat.
-
- MULE BONE. There's historical curiosity, at least, in this
- never-before-produced 1930 script by Harlem literati Langston
- Hughes and Zora Neale Hurston, now in previews on Broadway,
- with music by Taj Mahal and a stellar cast, including Frances
- Foster, Arthur French and Theresa Merritt. Scholars judge the
- comedy, set in Florida, to be a landmark of black-American
- culture.
-
- MOVIES
-
- MR. AND MRS. BRIDGE. A wonderful movie from Evan S.
- Connell's brace of anecdotal novels about buttoned-up banker
- Walter Bridge and his dithery wife India, brought to full and
- funny life by Paul Newman and Joanne Woodward. Poignant and
- deftly satirical, director James Ivory's mood piece raises
- observation to an art form.
-
- ALICE. Woody Allen goes whimsical in this contemporary fairy
- tale about a Manhattan woman (Mia Farrow) who dares to fly from
- her troubles toward her dreams. William Hurt and Alec Baldwin
- are among the men who hold her down -- or help her soar.
-
- ETCETERA
-
- LISETTE MODEL, International Center of Photography, New
- York. To Model, the human form was a landscape and the human
- race was something both gamy and unearthly -- a zoo full of
- mammals in derby hats and polka-dot dresses. Through March 24.
-
- ORPHEUS UND EURYDIKE. Berlin's adventurous Komische Oper
- makes its U.S. debut at the Brooklyn Academy of Music with a
- radical updating of Gluck's masterwork. Orpheus is now a pop
- singer and the underworld he must traverse a lunatic asylum.
- Feb. 11-17.
-
- COPPELIA. American Ballet Theater's only major new effort,
- with its irresistible Delibes score, moves to Chicago. Tony
- Straiges, who made the wizardly sets for Sunday in the Park
- with George, designed the production. Feb. 8-10.
-
- VINTAGE VIDEOS
-
- LEONARD MALTIN'S MOVIE MEMORIES (RCA/BMG Video; $16.98
- each). Something different. Not the usual clips of dear
- departed superstars and great moments from Hollywood classics.
- These are collections of "soundies": pre-MTV shorts from the
- '40s, made to be shown on a type of coin-operated movie jukebox
- and featuring . . ., well, not to put too fine a point on it,
- some of the giants of American music, jazz department. Vol. I,
- The 1940's Music Machine, boasts the likes of Louis Armstrong
- and Duke Ellington in performance. Vol. II, Singing Stars of
- the Swing Era, features rare film glimpses of the supernal June
- Christy and Anita O'Day, as well as Hoagy Carmichael's
- incomparable rendering of Lazy Bones. Vol. III chronicles Big
- Band Swing, including Count Basie's Air Mail Special. Vol. IV
- covers Harlem Highlights, featuring Rosetta Tharpe and Lucky
- Millinder doing a steamy version of Four or Five Times, which
- could have been the Justify My Love of its day. Gone. Real
- gone.
-
-
- By TIME's Reviewers/Compiled by Linda Williams.
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